Biography
Olga Tarabukina, an art photographer born in 1983 in Ukraine, first studied Philology at the University of Kyiv, Ukraine, and ten years later Media Design at the Medienschule Babelsberg in Potsdam. Her artistic work originated in literature in her hometown. She wrote short stories in which she engaged with existential themes. In 2005 she moved to Potsdam and began searching for new paths in visual storytelling. In 2013, her short film was nominated for the final of the IKZ Short Film Festival Potsdam “Extremism – No Thanks.”
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She has worked for many years as a communication designer for the Berlin fashion industry. Increasingly, she finds her artistic expression in photography, in search of an aesthetic that reflects emotional life in its vulnerable sensibility.
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At the end of 2023, she initiated her project “Self-Portrait of Fear,” which, through an ongoing photographic experiment of naked exposure, explores inner fear and gives it visual form.
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The new photographic project “Freedom Island” was launched in 2024. It addresses inner worlds, meditative calm, and the creation of strength from within. The stylistic visual language is strongly influenced by Impressionism. Contemporary authors, such as Sally Mason, have also left their imprint on the technique used to create this series of nine images.
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Portraiture is also part of the artist’s field of interest. This led to the philosophical project “Beauty Secret” (2024–2025), in which the artist invites the viewer into a dialogue about the perception of female beauty. The project is closely connected to the earlier project “Self-Portrait of Fear,” but in contrast is executed in black and white so that color does not distract from what is essential.
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A new dimension of visual language emerges in 2025. After the reduction of color, the tendency toward simplification moves in the direction of abstract forms. As sources of inspiration, the photographer draws on the works of Cubists and Suprematists as well as the art of Wassily Kandinsky. Thus, the new project “Abstract City” was conceived and launched. With the help of the urban environment and architecture, the photographer develops another abstract level of perception.
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Over the past two years, Olga Tarabukina has participated in numerous exhibitions in Germany. In addition, she exhibited in 2025 in the exhibition Iconic, Imagination Paris at Galerie Joseph Chapon 17 in Paris.

Olga Tarabukina, 2021
The photo was taken by Olga Baidukova
EXHIBITIONS
2025
Iconic, Imagination Paris, Galerie Joseph Chapon 17, Paris, France
2025
Dancing Katina, MINIMALISTIX, Berlin, Germany
2025
Power Indie Night, ACUD, Berlin, Germany
2025
13th Art Festival, Kaulitz, Germany
2025
City, BOX66, Berlin, Germany
2025
Self-Portrait of Fear, Happy Art Week, Berlin, Germany
2025
Beauty Secret, BOX66, Berlin, Germany
2024
Freedom Island, ((NYT)) art.space, Berlin, Germany
2024
Visitors of Liminal Berlin, MINIMALISTIX, Berlin, Germany
2024
Fotom, Talent Point, Potsdam, Germany
2020
Fotosushka, ArtCityPeople, Berlin, Germany
2019
Photoschool Bulkin, Group Exhibition, OstPost, Berlin, Germany
ARTIST STATEMENT
In my artistic practice, I set myself themes that are currently relevant to me and that I am able to engage with because I am willing to enter into the particular process of self-discovery. This means that my images are always reflections of my inner life, which I approach gradually, step by step. In this context, I feel connected to Pictorialism, which early on established photography as a fully valid artistic medium.
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At the same time, it is the many impressions from the outside world that evoke sensations and guide me toward addressing specific themes. In this way, photography opened up for me the artistic possibility through real-surreal and suprematist approaches of capturing the ephemeral in the moment and making it available for the future. In my earlier work, Old Masters such as Rembrandt and Bellini inspired me to create a painterly aesthetic within the photographic image.
​Architecture, structures, and rhythms of the city detach from their concrete function and condense into abstract visual forms. The deliberate reduction of color and the simplification of form open up a new level of perception.
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Within this process, I am particularly influenced by the artistic positions of Wassily Kandinsky and Kazimir Malevich, who did not seek to depict inner states but to translate them visually. Photography thus becomes, for me, a means of transforming the visible into a mental and emotional experience.
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I use photography as a medium of belief and experiment with reality in order to create imaginary spaces and similar to the cinematic language of David Lynch to visualize specific emotional states. My images bear witness to experiences in which I come into contact with myself, in search of the hidden layers of my own personality as well as those reflected within the urban space.


